Anti-humanism comes to Hollywood.
By Wesley J. Smith
When Aldous Huxley wrote his prophetic 1932 novel, Brave New World, he envisioned a dystopian future in which mankind would become, in the words of bioethicist Leon Kass, “so dehumanized that he doesn’t even realize what has been lost.”
Huxley believed we would evolve into a society steeped in radical hedonism — where drugs would be used to erase every negative emotion and promiscuity would be not just common but the norm. He also saw us as becoming profoundly utilitarian and eugenic, depicted in his novel by genetically engineered babies being decanted through a cloning-type process rather than being born, and then propagandized rather than educated, so as never to question the existing order. Huxley’s Brave New World is a society without families, without the old and sick — who are done away with rather than cared for — and without real purpose other than experiencing transitory pleasure.